{"id":6780,"date":"2014-08-14T11:38:45","date_gmt":"2014-08-14T18:38:45","guid":{"rendered":"http:\/\/www.lee.org\/blog\/?p=6780"},"modified":"2014-08-11T11:44:57","modified_gmt":"2014-08-11T18:44:57","slug":"our-wedding-music-playlist","status":"publish","type":"post","link":"https:\/\/www.lee.org\/blog\/2014\/08\/14\/our-wedding-music-playlist\/","title":{"rendered":"Our Wedding Music Playlist"},"content":{"rendered":"<p>We put together a fantastic playlist for the wedding! Thanks Zeke for making it happen!<\/p>\n<p>It&#8217;s in 3 sections, Cocktails, Dinner, and Dance.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<table width=\"508\">\n<tbody>\n<tr>\n<td width=\"62\">Cocktails<\/td>\n<\/tr>\n<tr>\n<td>Order<\/td>\n<td>Song<\/td>\n<td>Artist<\/td>\n<\/tr>\n<tr>\n<td>1<\/td>\n<td>In The Air Tonight<\/td>\n<td>Phil Collins<\/td>\n<\/tr>\n<tr>\n<td>2<\/td>\n<td>We Are Golden<\/td>\n<td>Mika<\/td>\n<\/tr>\n<tr>\n<td>3<\/td>\n<td>Livin&#8217; la vida<\/td>\n<td>Divide &amp; Kreate<\/td>\n<\/tr>\n<tr>\n<td>4<\/td>\n<td>Birdhouse In Your Soul<\/td>\n<td>They Might Be Giants<\/td>\n<\/tr>\n<tr>\n<td>5<\/td>\n<td>Hurts Like Heaven<\/td>\n<td>Coldplay<\/td>\n<\/tr>\n<tr>\n<td>6<\/td>\n<td>Holocene<\/td>\n<td>Bon Iver<\/td>\n<\/tr>\n<tr>\n<td>7<\/td>\n<td>Thunder Clatter<\/td>\n<td>Wild Cub<\/td>\n<\/tr>\n<tr>\n<td>8<\/td>\n<td>Title and Registration<\/td>\n<td>Death Cab for Cutie<\/td>\n<\/tr>\n<tr>\n<td>9<\/td>\n<td>Red Red Wine<\/td>\n<td>UB40<\/td>\n<\/tr>\n<tr>\n<td>10<\/td>\n<td>Rhythm of Love<\/td>\n<td>Plain White T&#8217;s<\/td>\n<\/tr>\n<tr>\n<td>11<\/td>\n<td>Peaches<\/td>\n<td>Presidents of the United States<\/td>\n<\/tr>\n<tr>\n<td>12<\/td>\n<td>Happy Ending<\/td>\n<td>Mika<\/td>\n<\/tr>\n<tr>\n<td>13<\/td>\n<td>Free Fallin<\/td>\n<td>Tom Petty<\/td>\n<\/tr>\n<tr>\n<td>14<\/td>\n<td>Stacy&#8217;s Mom<\/td>\n<td>Fountains of Wayne<\/td>\n<\/tr>\n<tr>\n<td>15<\/td>\n<td>Take A Walk<\/td>\n<td>Passion Pi<\/td>\n<\/tr>\n<tr>\n<td>16<\/td>\n<td>Home<\/td>\n<td>Phillip Phillips<\/td>\n<\/tr>\n<tr>\n<td>17<\/td>\n<td>Another Story<\/td>\n<td>The Head and The Heart<\/td>\n<\/tr>\n<tr>\n<td>18<\/td>\n<td>Hot Tonight<\/td>\n<td>Tokyo Police Club<\/td>\n<\/tr>\n<tr>\n<td>19<\/td>\n<td>Magic<\/td>\n<td>Coldplay<\/td>\n<\/tr>\n<tr>\n<td>20<\/td>\n<td>Let Her Go<\/td>\n<td>Passenger<\/td>\n<\/tr>\n<tr>\n<td>21<\/td>\n<td>Comrade<\/td>\n<td>Volcano Choir<\/td>\n<\/tr>\n<tr>\n<td>22<\/td>\n<td>The General<\/td>\n<td>Dispatch<\/td>\n<\/tr>\n<tr>\n<td>23<\/td>\n<td>The Wolves<\/td>\n<td>Ben Howard<\/td>\n<\/tr>\n<tr>\n<td>24<\/td>\n<td>W.O.W.<\/td>\n<td>Architecture in Helsinki<\/td>\n<\/tr>\n<tr>\n<td>25<\/td>\n<td>I Fucking Bleed Purple and Gold<\/td>\n<td>Super Mash Bros<\/td>\n<\/tr>\n<tr>\n<td>26<\/td>\n<td>So Insane<\/td>\n<td>Discovery<\/td>\n<\/tr>\n<tr>\n<td>27<\/td>\n<td>First Day of My Life<\/td>\n<td>Bright Eyes<\/td>\n<\/tr>\n<tr>\n<td>28<\/td>\n<td>Angel, Please<\/td>\n<td>Ra Ra Riot<\/td>\n<\/tr>\n<tr>\n<td>29<\/td>\n<td>Slow Dancing In A Burning Room<\/td>\n<td>John Mayer<\/td>\n<\/tr>\n<tr>\n<td>30<\/td>\n<td>We Are Family<\/td>\n<td>Sister Sledge<\/td>\n<\/tr>\n<tr>\n<td>31<\/td>\n<td>You Shook Me All Night Long<\/td>\n<td>AC\/DC<\/td>\n<\/tr>\n<tr>\n<td>32<\/td>\n<td>A Song Is a Weapon<\/td>\n<td>Stars<\/td>\n<\/tr>\n<tr>\n<td>33<\/td>\n<td>Feel The Effect<\/td>\n<td>Tokyo Police Club<\/td>\n<\/tr>\n<tr>\n<td>34<\/td>\n<td>Happy Everafter In Your Eyes<\/td>\n<td>Ben Harper<\/td>\n<\/tr>\n<tr>\n<td>35<\/td>\n<td>Twist and Shout<\/td>\n<td>The Beatles<\/td>\n<\/tr>\n<tr>\n<td>36<\/td>\n<td>Roxanne<\/td>\n<td>The Police<\/td>\n<\/tr>\n<tr>\n<td>37<\/td>\n<td>Lean On Me<\/td>\n<td>Bill Withers<\/td>\n<\/tr>\n<tr>\n<td>38<\/td>\n<td>Crazy In Love ft Jay Z<\/td>\n<td>Beyonce<\/td>\n<\/tr>\n<tr>\n<td>39<\/td>\n<td>Simple Song<\/td>\n<td>The Shins<\/td>\n<\/tr>\n<tr>\n<td>Dinner<\/td>\n<\/tr>\n<tr>\n<td>Order<\/td>\n<td>Song<\/td>\n<td>Artist<\/td>\n<\/tr>\n<tr>\n<td>4<\/td>\n<td>This Year&#8217;s Kisses<\/td>\n<td>Billie Holiday<\/td>\n<\/tr>\n<tr>\n<td>10<\/td>\n<td>Why Was I Born?<\/td>\n<td>Billie Holiday<\/td>\n<\/tr>\n<tr>\n<td>19<\/td>\n<td>I Must Have That Man!<\/td>\n<td>Billie Holiday<\/td>\n<\/tr>\n<tr>\n<td>24<\/td>\n<td>The Mood That I&#8217;m In<\/td>\n<td>Billie Holiday<\/td>\n<\/tr>\n<tr>\n<td>11<\/td>\n<td>My Last Affair<\/td>\n<td>Billie Holiday<\/td>\n<\/tr>\n<tr>\n<td>27<\/td>\n<td>Moanin&#8217; Low<\/td>\n<td>Billie Holiday<\/td>\n<\/tr>\n<tr>\n<td>30<\/td>\n<td>Where Is the Sun?<\/td>\n<td>Billie Holiday<\/td>\n<\/tr>\n<tr>\n<td>51<\/td>\n<td>Let&#8217;s Call the Whole Thing Off<\/td>\n<td>Billie Holiday<\/td>\n<\/tr>\n<tr>\n<td>65<\/td>\n<td>Don&#8217;t Know If I&#8217;m Comin&#8217; or Goin&#8217;<\/td>\n<td>Billie Holiday<\/td>\n<\/tr>\n<tr>\n<td>40<\/td>\n<td>I&#8217;ll Get By (As Long as I Have You)<\/td>\n<td>Billie Holiday<\/td>\n<\/tr>\n<tr>\n<td>53<\/td>\n<td>Mean to Me<\/td>\n<td>Billie Holiday<\/td>\n<\/tr>\n<tr>\n<td>57<\/td>\n<td>Foolin&#8217; Myself<\/td>\n<td>Billie Holiday<\/td>\n<\/tr>\n<tr>\n<td>62<\/td>\n<td>Easy Living<\/td>\n<td>Billie Holiday<\/td>\n<\/tr>\n<tr>\n<td>80<\/td>\n<td>I&#8217;ll Never Be the Same<\/td>\n<td>Billie Holiday<\/td>\n<\/tr>\n<tr>\n<td>82<\/td>\n<td>Me, Myself and I [Alternate Take]<\/td>\n<td>Billie Holiday<\/td>\n<\/tr>\n<tr>\n<td>75<\/td>\n<td>A Sailboat in the Moonlight<\/td>\n<td>Billie Holiday<\/td>\n<\/tr>\n<tr>\n<td>77<\/td>\n<td>Born to Love<\/td>\n<td>Billie Holiday<\/td>\n<\/tr>\n<tr>\n<td>73<\/td>\n<td>Without Your Love [Alternate Take]<\/td>\n<td>Billie Holiday<\/td>\n<\/tr>\n<tr>\n<td>81<\/td>\n<td>They Can&#8217;t Take That Away from Me<\/td>\n<td>Billie Holiday<\/td>\n<\/tr>\n<tr>\n<td>67<\/td>\n<td>Swing, Brother, Swing<\/td>\n<td>Billie Holiday<\/td>\n<\/tr>\n<tr>\n<td>85<\/td>\n<td>I Can&#8217;t Get Started<\/td>\n<td>Billie Holiday<\/td>\n<\/tr>\n<tr>\n<td>87<\/td>\n<td>Who Wants Love?<\/td>\n<td>Billie Holiday<\/td>\n<\/tr>\n<tr>\n<td>89<\/td>\n<td>Trav&#8217;lin&#8217; All Alone<\/td>\n<td>Billie Holiday<\/td>\n<\/tr>\n<tr>\n<td>90<\/td>\n<td>He&#8217;s Funny That Way<\/td>\n<td>Billie Holiday<\/td>\n<\/tr>\n<tr>\n<td>25<\/td>\n<td>Bugle Call Rag<\/td>\n<td>Eddie Condon<\/td>\n<\/tr>\n<tr>\n<td>1<\/td>\n<td>Sugar<\/td>\n<td>Eddie Condon<\/td>\n<\/tr>\n<tr>\n<td>33<\/td>\n<td>China Boy<\/td>\n<td>Eddie Condon<\/td>\n<\/tr>\n<tr>\n<td>18<\/td>\n<td>Oh Peter! (You&#8217;re So Nice)<\/td>\n<td>Eddie Condon<\/td>\n<\/tr>\n<tr>\n<td>3<\/td>\n<td>Nobody&#8217;s Sweetheart<\/td>\n<td>Eddie Condon<\/td>\n<\/tr>\n<tr>\n<td>28<\/td>\n<td>Liza (All the Clouds&#8217;ll Roll Away)<\/td>\n<td>Eddie Condon<\/td>\n<\/tr>\n<tr>\n<td>16<\/td>\n<td>Friars Point Shuffle<\/td>\n<td>Eddie Condon<\/td>\n<\/tr>\n<tr>\n<td>22<\/td>\n<td>The Darktown Strutters&#8217; Ball<\/td>\n<td>Eddie Condon<\/td>\n<\/tr>\n<tr>\n<td>37<\/td>\n<td>There&#8217;ll Be Some Changes Made<\/td>\n<td>Eddie Condon<\/td>\n<\/tr>\n<tr>\n<td>34<\/td>\n<td>I Found a New Baby<\/td>\n<td>Eddie Condon<\/td>\n<\/tr>\n<tr>\n<td>47<\/td>\n<td>Jazz Me Blues<\/td>\n<td>Eddie Condon<\/td>\n<\/tr>\n<tr>\n<td>45<\/td>\n<td>Oh! Baby<\/td>\n<td>Eddie Condon<\/td>\n<\/tr>\n<tr>\n<td>42<\/td>\n<td>(Back Home Again In) Indiana<\/td>\n<td>Eddie Condon<\/td>\n<\/tr>\n<tr>\n<td>76<\/td>\n<td>Makin&#8217; Friends<\/td>\n<td>Eddie Condon<\/td>\n<\/tr>\n<tr>\n<td>64<\/td>\n<td>I&#8217;m Gonna Stomp Mr. Henry Lee<\/td>\n<td>Eddie Condon<\/td>\n<\/tr>\n<tr>\n<td>74<\/td>\n<td>That&#8217;s a Serious Thing<\/td>\n<td>Eddie Condon<\/td>\n<\/tr>\n<tr>\n<td>69<\/td>\n<td>Minor Drag<\/td>\n<td>Eddie Condon<\/td>\n<\/tr>\n<tr>\n<td>72<\/td>\n<td>(Back Home Again In) Indiana<\/td>\n<td>Eddie Condon<\/td>\n<\/tr>\n<tr>\n<td>83<\/td>\n<td>Tailspin Blues<\/td>\n<td>Eddie Condon<\/td>\n<\/tr>\n<tr>\n<td>56<\/td>\n<td>I Need Someone Like You<\/td>\n<td>Eddie Condon<\/td>\n<\/tr>\n<tr>\n<td>84<\/td>\n<td>Hello Lola<\/td>\n<td>Eddie Condon<\/td>\n<\/tr>\n<tr>\n<td>79<\/td>\n<td>One Hour<\/td>\n<td>Eddie Condon<\/td>\n<\/tr>\n<tr>\n<td>78<\/td>\n<td>Girls Like You Were Meant for Boys Like Me<\/td>\n<td>Eddie Condon<\/td>\n<\/tr>\n<tr>\n<td>86<\/td>\n<td>Georgia<\/td>\n<td>Eddie Condon<\/td>\n<\/tr>\n<tr>\n<td>88<\/td>\n<td>I Can&#8217;t Believe That You&#8217;re in Love With Me<\/td>\n<td>Eddie Condon<\/td>\n<\/tr>\n<tr>\n<td>91<\/td>\n<td>The Darktown Strutters&#8217; Ball<\/td>\n<td>Eddie Condon<\/td>\n<\/tr>\n<tr>\n<td>92<\/td>\n<td>You Rascal, You<\/td>\n<td>Eddie Condon<\/td>\n<\/tr>\n<tr>\n<td>5<\/td>\n<td>Let&#8217;s Call the Whole Thing Off<\/td>\n<td>Ella F. and Louis Armstrong<\/td>\n<\/tr>\n<tr>\n<td>6<\/td>\n<td>Sunrise Sunset<\/td>\n<td>Fiddler on the Roof<\/td>\n<\/tr>\n<tr>\n<td>68<\/td>\n<td>Doctor Jazz Stomp<\/td>\n<td>Jelly Roll Morton<\/td>\n<\/tr>\n<tr>\n<td>35<\/td>\n<td>Tommy People&#8217;s Reel\/Frank&#8217;s Reel<\/td>\n<td>John McCusker<\/td>\n<\/tr>\n<tr>\n<td>12<\/td>\n<td>Biodag Aig MacThomais\/Mulqueen&#8217;s Reel<\/td>\n<td>John McCusker<\/td>\n<\/tr>\n<tr>\n<td>59<\/td>\n<td>Brigid&#8217;s Waltz<\/td>\n<td>John McCusker<\/td>\n<\/tr>\n<tr>\n<td>14<\/td>\n<td>Bobby\/Bag of Plums<\/td>\n<td>John McCusker<\/td>\n<\/tr>\n<tr>\n<td>2<\/td>\n<td>Rosin the Beau<\/td>\n<td>John McCusker<\/td>\n<\/tr>\n<tr>\n<td>32<\/td>\n<td>The Rose in the Heather\/Does This Train Go to Bellshill?\/Trip to Kilkenny<\/td>\n<td>John McCusker<\/td>\n<\/tr>\n<tr>\n<td>21<\/td>\n<td>Craigcullen<\/td>\n<td>John McCusker<\/td>\n<\/tr>\n<tr>\n<td>41<\/td>\n<td>St Bride&#8217;s Way\/The Bouncing Czech<\/td>\n<td>John McCusker<\/td>\n<\/tr>\n<tr>\n<td>61<\/td>\n<td>Radio Sweetheart&#8217;s Waltz\/Sandy Hall\/The<\/td>\n<td>John McCusker<\/td>\n<\/tr>\n<tr>\n<td>49<\/td>\n<td>Air for Jakes<\/td>\n<td>John McCusker<\/td>\n<\/tr>\n<tr>\n<td>44<\/td>\n<td>John Daly&#8217;s Hornpipe\/Bubba&#8217;s Reel\/McFadden&#8217;s<\/td>\n<td>John McCusker<\/td>\n<\/tr>\n<tr>\n<td>70<\/td>\n<td>A Fine Romance<\/td>\n<td>Lena Horne<\/td>\n<\/tr>\n<tr>\n<td>38<\/td>\n<td>St James Infirmary<\/td>\n<td>Louis Armstrong<\/td>\n<\/tr>\n<tr>\n<td>29<\/td>\n<td>St James Infirmary<\/td>\n<td>Louis Armstrong and the AllStars<\/td>\n<\/tr>\n<tr>\n<td>9<\/td>\n<td>St James Infirmary (alt)<\/td>\n<td>Louis Armstrong and the AllStars<\/td>\n<\/tr>\n<tr>\n<td>23<\/td>\n<td>I Want A Big Butter And Egg Man<\/td>\n<td>Louis Armstrong and the AllStars<\/td>\n<\/tr>\n<tr>\n<td>26<\/td>\n<td>I Want A Big Butter And Egg Man (alt)<\/td>\n<td>Louis Armstrong and the AllStars<\/td>\n<\/tr>\n<tr>\n<td>36<\/td>\n<td>I aint got Nobody<\/td>\n<td>Louis Armstrong and the AllStars<\/td>\n<\/tr>\n<tr>\n<td>7<\/td>\n<td>I aint got Nobody (alt)<\/td>\n<td>Louis Armstrong and the AllStars<\/td>\n<\/tr>\n<tr>\n<td>17<\/td>\n<td>Panama Rag<\/td>\n<td>Louis Armstrong and the AllStars<\/td>\n<\/tr>\n<tr>\n<td>20<\/td>\n<td>Dr. Jazz<\/td>\n<td>Louis Armstrong and the AllStars<\/td>\n<\/tr>\n<tr>\n<td>15<\/td>\n<td>Dr. Jazz (alt)<\/td>\n<td>Louis Armstrong and the AllStars<\/td>\n<\/tr>\n<tr>\n<td>13<\/td>\n<td>Hot Time in the Old Town Tonight<\/td>\n<td>Louis Armstrong and the AllStars<\/td>\n<\/tr>\n<tr>\n<td>46<\/td>\n<td>Hot Time in the Old Town Tonight (alt)<\/td>\n<td>Louis Armstrong and the AllStars<\/td>\n<\/tr>\n<tr>\n<td>63<\/td>\n<td>Frankie and Johnny<\/td>\n<td>Louis Armstrong and the AllStars<\/td>\n<\/tr>\n<tr>\n<td>60<\/td>\n<td>I Ain&#8217;t Gonna Give Nobody None of This Jelly Roll<\/td>\n<td>Louis Armstrong and the AllStars<\/td>\n<\/tr>\n<tr>\n<td>31<\/td>\n<td>Drop That Sack<\/td>\n<td>Louis Armstrong and the AllStars<\/td>\n<\/tr>\n<tr>\n<td>58<\/td>\n<td>Drop That Sack (alt)<\/td>\n<td>Louis Armstrong and the AllStars<\/td>\n<\/tr>\n<tr>\n<td>48<\/td>\n<td>Jelly Roll Blues<\/td>\n<td>Louis Armstrong and the AllStars<\/td>\n<\/tr>\n<tr>\n<td>43<\/td>\n<td>Jelly Roll Blues (alt)<\/td>\n<td>Louis Armstrong and the AllStars<\/td>\n<\/tr>\n<tr>\n<td>50<\/td>\n<td>Old Kentucky Home<\/td>\n<td>Louis Armstrong and the AllStars<\/td>\n<\/tr>\n<tr>\n<td>54<\/td>\n<td>Chimes Blues<\/td>\n<td>Louis Armstrong and the AllStars<\/td>\n<\/tr>\n<tr>\n<td>71<\/td>\n<td>Chimes Blues (alt)<\/td>\n<td>Louis Armstrong and the AllStars<\/td>\n<\/tr>\n<tr>\n<td>66<\/td>\n<td>Snake Rag<\/td>\n<td>Louis Armstrong and the AllStars<\/td>\n<\/tr>\n<tr>\n<td>39<\/td>\n<td>New Orleans Stomp<\/td>\n<td>Louis Armstrong and the AllStars<\/td>\n<\/tr>\n<tr>\n<td>8<\/td>\n<td>Fever<\/td>\n<td>Natalie Cole &amp; Ray Charles<\/td>\n<\/tr>\n<tr>\n<td>52<\/td>\n<td>Lover Man<\/td>\n<td>Sarah Vaughan<\/td>\n<\/tr>\n<tr>\n<td>55<\/td>\n<td>Summertime<\/td>\n<td>Sidney Bechet<\/td>\n<\/tr>\n<tr>\n<td>Dance<\/td>\n<\/tr>\n<tr>\n<td>Order<\/td>\n<td>Song<\/td>\n<td>Artist<\/td>\n<\/tr>\n<tr>\n<td>1<\/td>\n<td>L.O.V.E<\/td>\n<td>Nat King Cole<\/td>\n<\/tr>\n<tr>\n<td>2<\/td>\n<td>The Way You Look Tonight<\/td>\n<td>Frank Sinatra<\/td>\n<\/tr>\n<tr>\n<td>3<\/td>\n<td>Come on Eileen<\/td>\n<td>Dexys Midnight Runners<\/td>\n<\/tr>\n<tr>\n<td>4<\/td>\n<td>Take it Easy<\/td>\n<td>The Eagles<\/td>\n<\/tr>\n<tr>\n<td>5<\/td>\n<td>(Sittin&#8217; On) The Dock Of The Bay<\/td>\n<td>Otis Redding<\/td>\n<\/tr>\n<tr>\n<td>6<\/td>\n<td>Celebration<\/td>\n<td>Kool &amp; The Gang<\/td>\n<\/tr>\n<tr>\n<td>7<\/td>\n<td>Fields of Gold<\/td>\n<td>Sting<\/td>\n<\/tr>\n<tr>\n<td>8<\/td>\n<td>Break My Stride<\/td>\n<td>Matthew Wilder<\/td>\n<\/tr>\n<tr>\n<td>9<\/td>\n<td>I Want to Hold Your Hand<\/td>\n<td>The Beatles<\/td>\n<\/tr>\n<tr>\n<td>10<\/td>\n<td>Dancing In The Moonlight<\/td>\n<td>King Harvest<\/td>\n<\/tr>\n<tr>\n<td>11<\/td>\n<td>Slow Dancing In A Burning Room<\/td>\n<td>John Mayer<\/td>\n<\/tr>\n<tr>\n<td>12<\/td>\n<td>Let&#8217;s Stay Together<\/td>\n<td>Al Green<\/td>\n<\/tr>\n<tr>\n<td>13<\/td>\n<td>Build Me Up Buttercup<\/td>\n<td>The Foundations<\/td>\n<\/tr>\n<tr>\n<td>14<\/td>\n<td>Brown Eyed Girl<\/td>\n<td>Van Morrison<\/td>\n<\/tr>\n<tr>\n<td>15<\/td>\n<td>Down Under<\/td>\n<td>Men at Work<\/td>\n<\/tr>\n<tr>\n<td>16<\/td>\n<td>Come Away with Me<\/td>\n<td>Norah Jones<\/td>\n<\/tr>\n<tr>\n<td>17<\/td>\n<td>Piano Man<\/td>\n<td>Billy Joel<\/td>\n<\/tr>\n<tr>\n<td>18<\/td>\n<td>You Can Call Me Al<\/td>\n<td>Paul Simon<\/td>\n<\/tr>\n<tr>\n<td>19<\/td>\n<td>Oh What A Night<\/td>\n<td>The Four Seasons<\/td>\n<\/tr>\n<tr>\n<td>20<\/td>\n<td>Black Or White<\/td>\n<td>Michael Jackson<\/td>\n<\/tr>\n<tr>\n<td>21<\/td>\n<td>ABC<\/td>\n<td>Jackson Five<\/td>\n<\/tr>\n<tr>\n<td>22<\/td>\n<td>Sweet Caroline<\/td>\n<td>Neil Diamond<\/td>\n<\/tr>\n<tr>\n<td>23<\/td>\n<td>Landslide<\/td>\n<td>Fleetwood Mac<\/td>\n<\/tr>\n<tr>\n<td>24<\/td>\n<td>1999<\/td>\n<td>Prince<\/td>\n<\/tr>\n<tr>\n<td>25<\/td>\n<td>Don&#8217;t Stop Believin&#8217;<\/td>\n<td>Journey<\/td>\n<\/tr>\n<tr>\n<td>26<\/td>\n<td>Holiday<\/td>\n<td>Madonna<\/td>\n<\/tr>\n<tr>\n<td>27<\/td>\n<td>Your Song<\/td>\n<td>Elton John<\/td>\n<\/tr>\n<tr>\n<td>28<\/td>\n<td>Somewhere Over the Rainbow<\/td>\n<td>Israel Kamakawiwo&#8217;ole<\/td>\n<\/tr>\n<tr>\n<td>29<\/td>\n<td>Intro<\/td>\n<td>The XX<\/td>\n<\/tr>\n<tr>\n<td>30<\/td>\n<td>Some Nights<\/td>\n<td>Fun.<\/td>\n<\/tr>\n<tr>\n<td>31<\/td>\n<td>Poker Face<\/td>\n<td>Lady Gaga<\/td>\n<\/tr>\n<tr>\n<td>32<\/td>\n<td>Home<\/td>\n<td>Edward Sharpe &amp; The Magnetic Z<\/td>\n<\/tr>\n<tr>\n<td>33<\/td>\n<td>I&#8217;m Yours<\/td>\n<td>Jason Mraz<\/td>\n<\/tr>\n<tr>\n<td>34<\/td>\n<td>No Taylor, No Scar<\/td>\n<td>Norwegian Recycling<\/td>\n<\/tr>\n<tr>\n<td>35<\/td>\n<td>Hey Ya!<\/td>\n<td>Outkast<\/td>\n<\/tr>\n<tr>\n<td>36<\/td>\n<td>Hey, Soul Sister<\/td>\n<td>Train<\/td>\n<\/tr>\n<tr>\n<td>37<\/td>\n<td>Battleships<\/td>\n<td>I&#8217;m From Barcelona<\/td>\n<\/tr>\n<tr>\n<td>38<\/td>\n<td>Hey Oh Tonight<\/td>\n<td>Norwegian Recycling<\/td>\n<\/tr>\n<tr>\n<td>39<\/td>\n<td>Iris<\/td>\n<td>Goo Goo Dolls<\/td>\n<\/tr>\n<tr>\n<td>40<\/td>\n<td>Coconut<\/td>\n<td>Soundtrack<\/td>\n<\/tr>\n<tr>\n<td>41<\/td>\n<td>Hey There Delilah<\/td>\n<td>Plain White T&#8217;s<\/td>\n<\/tr>\n<tr>\n<td>42<\/td>\n<td>All The Pretty Girls (RAC Mix)<\/td>\n<td>fun.<\/td>\n<\/tr>\n<tr>\n<td>43<\/td>\n<td>One More Time<\/td>\n<td>Daft Punk<\/td>\n<\/tr>\n<tr>\n<td>44<\/td>\n<td>All Bad Touches (Come To An End)<\/td>\n<td>Norwegian Recycling<\/td>\n<\/tr>\n<tr>\n<td>45<\/td>\n<td>Your Body is a Wonderland<\/td>\n<td>John Mayer<\/td>\n<\/tr>\n<tr>\n<td>46<\/td>\n<td>Short Skirt\/Long Jacket<\/td>\n<td>Cake<\/td>\n<\/tr>\n<tr>\n<td>47<\/td>\n<td>Falling<\/td>\n<td>Haim<\/td>\n<\/tr>\n<tr>\n<td>48<\/td>\n<td>Daft Punk<\/td>\n<td>Pentatonix<\/td>\n<\/tr>\n<tr>\n<td>49<\/td>\n<td>How Six Songs Collide<\/td>\n<td>Norwegian Recycling<\/td>\n<\/tr>\n<tr>\n<td>50<\/td>\n<td>Can&#8217;t Hold Us (feat. Ray Dalto<\/td>\n<td>Macklemore &amp; Ryan Lewis<\/td>\n<\/tr>\n<tr>\n<td>51<\/td>\n<td>Electric Feel<\/td>\n<td>MGMT<\/td>\n<\/tr>\n<tr>\n<td>52<\/td>\n<td>Wait For The World Greatest<\/td>\n<td>Norwegian Recycling<\/td>\n<\/tr>\n<tr>\n<td>53<\/td>\n<td>Get Lucky (feat. Pharrell Will<\/td>\n<td>Daft Punk<\/td>\n<\/tr>\n<tr>\n<td>54<\/td>\n<td>O.N.E<\/td>\n<td>Yeasayer<\/td>\n<\/tr>\n<tr>\n<td>55<\/td>\n<td>Where Are You Know<\/td>\n<td>Wolf Gang<\/td>\n<\/tr>\n<tr>\n<td>56<\/td>\n<td>Sorry For I Mashed You<\/td>\n<td>Norwegian Recycling<\/td>\n<\/tr>\n<tr>\n<td>57<\/td>\n<td>Poison &amp; Wine<\/td>\n<td>The Civil Wars<\/td>\n<\/tr>\n<tr>\n<td>58<\/td>\n<td>Bad Romance<\/td>\n<td>Lady Gaga<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>We put together a fantastic playlist for the wedding! Thanks Zeke for making it happen! It&#8217;s in 3 sections, Cocktails, Dinner, and Dance. &nbsp; &nbsp; Cocktails Order Song Artist 1 In The Air Tonight Phil Collins 2 We Are Golden Mika 3 Livin&#8217; la vida Divide &amp; Kreate 4 Birdhouse In Your Soul They Might [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-6780","post","type-post","status-publish","format-standard","hentry","category-general"],"_links":{"self":[{"href":"https:\/\/www.lee.org\/blog\/wp-json\/wp\/v2\/posts\/6780","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lee.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lee.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lee.org\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lee.org\/blog\/wp-json\/wp\/v2\/comments?post=6780"}],"version-history":[{"count":0,"href":"https:\/\/www.lee.org\/blog\/wp-json\/wp\/v2\/posts\/6780\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.lee.org\/blog\/wp-json\/wp\/v2\/media?parent=6780"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lee.org\/blog\/wp-json\/wp\/v2\/categories?post=6780"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lee.org\/blog\/wp-json\/wp\/v2\/tags?post=6780"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}